| Comments: | J Moy said:
Another wonderful addition to my collection of Bach Cantatas, which I have only recently begun to explore. No disappointments here! I have yet to see any readily available online source that has detailed scorings for each cantata, so I will attempt to summarize here for the benefit of any other interested parties:
BWV 190: oboes, recorders, trumpets, bassoon, timpani, strings, organ, lute
BWV 134 & 44: oboes, bassoon, strings, organ, lute
BWV 73 & 20: oboes, horn, bassoon, strings, organ, lute
BWV 2 & 101: oboes, trombones, cornett, bassoon, strings, organ, lute
BWV 180: oboes, bassoon, traverso, recorders, cello piccolo, organ, lute
BWV 130: oboes, traverso, trumpets, timpani, bassoon, strings, organ, lute
BWV 134a: oboes, bassoon, strings, harpsichord
The basso continuo in this set of recordings is wonderful. The martial works, BWV 130 and 119 are well-rounded off by lutes while Koopman's organ continuo accompaniments are perfect testaments to why he has garnered so many Continuo competition awards in his day. A gem in this set is BWV 134a, which is set as a dialogue between "Time" and "Divine providence," and the recitatives and arias are most wonderfully supplemented by harpsichord! As a harpsichordist, I know that one must take special care not to play too "melodic" in continuo as to draw too much attention away from the soloist, but in this case, it was just simply delightful; the instrument and the recording made for a very well balanced sound. All in all, I wholeheartedly recommend it to any Bach fan! |